About Us
I have always had a great love and appreciation for trees and especially indigenous fauna and flora, and I thank my parents for that.
I was introduced to woodturning by Chris Huddle, somewhere around 2009. The ability to turn away the different layers of tree and so having a glimpse into its past and the story it wants to tell, completely fascinated me. He allowed me to come into his workshop and turn spheres for Ruby and the odd gift for friends or family. When the tourism industry came to a grinding halt in 2019 with Covid I started making the Bushveld Bouffadou. Oom Chris allowed me the use of his tools and lathe when he wasn't working himself. Giving me the opportunity to learn and work, while I started saving up and investing into my own turning equipment. With the interest in my work and employment in tourism still sketchy. I decided to commit to Bushveld Turnery, so I took the last TERS UIF grant that the South African government paid us during the 1st year of the pandemic and I bought a full size lathe. I have been turning ever since.
I will forever be grateful to him for his help and all the time spent chatting, learning and admiring his work and skills.
Everything is still for the love of indigenous wood and the stories it wants to tell. We have such a large diversity of indigenous trees in South Africa and I feel that by showcasing the beauty of their wood and educating people a little. It helps to create that little bit of extra appreciation, love and care for them. I only use salvaged wood. I collect from where bush clearing is done for development, maintenance work on farms and storm damage. Some of our local furniture makers also only work with storm damaged timber and in return for some turning work on projects I rummage through the off-cut piles.
Now a few years down the line I have diverse and continuously growing little product line. All still salvaged, indigenous and handcrafted by me.
Goeies.
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berchemia zeyheri
Red/Pink Ivory. Rooi-ivoor.
One of the worlds rarest and most sought after tone and hardwoods (JN 14,370 N). Bright pink to dark crimson often with a waved or fiddleback grain pattern. It is extremely dense and not the easiest to work with. But it has an unrivaled finish and colour. Royal tree to the Zulu kings and queens.
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combretum apiculatum
Red bushwillow. Rooiboswilg.
The wood is very fine grained, heavy and extremely hard (JN 12,001N).Overall colour of the heartwood is dark brown with some red and gold tints. Sapwood is a deep yellow to grey and contrasts nicely heartwood. The more aged the wood is the darker it becomes. The lighter sapwood often has lovely chatoyance in sunlight.
The wood and tree is more well known for its coals which can last well over 12hours. And it is mostly exploited for this reason, but we think it deserves more recognition for its beauty than braai.
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dombeya rotundifolia
Wild pear. Drolpeer.
The wood is fine grained, solid and medium heavy. It has dark spalting like patterns where side shoots and injuries occured. Overall colour is varying shades of brown to pink with a slight golden sheen.